My applause to Werner Herzog and David Lynch for a poignant collaboration. Although clearly directed by Herzog, it was plain to see the Lynch’s influence and the result is a spiritual experience combining elements of film and theater, shot in a digital format which at times feels like a documentary. I won’t delve into the details because most others have already blown the load as far as the plot goes – not something I admire when anticipating a movie many won’t see without provocation or stake, so why ruin it for you, the curious bystander?

The apt cast shines throughout with kudos to Michael Shannon, who gives a compelling theatrical performance as Brad, the lead character; I was enraptured by his conviction and equally felt both his madness and purpose driven by spiritual awakening. His love for the stage is apparent and carries well in a film chronicling the misadventure of a brilliant, tormented actor. Also worth mentioning is how little the other star-caliber actors had to do while serving their intended purpose which reveals how good they are at their jobs – at no point do they seem like sheer cameos, these roles were cast and directed solidly. Willem Dafoe has a relatively small role compared to characters portrayed by Grace Zabriskie, Chloë Sevigny, Udo Kier or Brad Dourif, but each pulls their weight efficiently and effectively.

Regarding the story: based on true events, it centers around a bizarre, simple mystery covering a standoff with the police surrounding Brad’s house, puzzling out what has happened and what to do about it. To this end the story unfolds as those connected are interviewed regarding what they know about the “crazy man” holed up in the house. What makes it worth watching are the flow of the scenes, choice of shots and the performances. The few odd moments when the camera holds on characters stopped mid-action (giving an essence of punctuating freeze-frame delivered solely by the actors) cause an uneasy tension as you notice slight movements and wait for the story to continue.

This movie requires an open mind to enjoy, meaning it won’t appeal to everybody but the same can be said for the repertoire of Herzog or Lynch. Even previous fans will be forced to absorb and digest each scene during the movie and long after. I plan to watch it again soon to gain a deeper level of enjoyment and understanding – perhaps next time without the delicious distraction of my unexpected meal option: currently featured on the seasonal Ritz menu are the tasty Biscuit-Battered Bourbon (rib-eye) Steak Fingers.. (nom-nom) Fantastic!

Fans of the Alamo Drafthouse, be sure to get there early to watch the subtly infectious pre-movie clips of Herzog compiled from behind the scenes interviews and related material which eerily invoke moments of déjà vu during the film.